Friday, April 3, 2009
Jerry Fisher Post #4
We then switched up and finished off the week with ultimate Frisbee. Again, a lot of cueing going on as my supervising teacher and myself got onto the floor and participated to assist in demonstrating the strategy that would lead to better control of the game and scoring. We continued throughout the game to reinforce the proper way to hold a Frisbee and how to throw it. It was a great week as far as participation and energy levels go, and I enjoyed this week immensely. There was also some use of advanced organizers, only not in a traditional manner. When demonstrating the dance moves I had to break down the steps into several different sections, for clarity, on what the progression was from one movement to another. Therefore, even though it was not a traditional graphic organizer that was laid out on paper, it was a more organic version. The students had to be interactive with the organizer to enable them to understand the step sequence involved to be successful.
I was also pleasantly surprised on how both teachers have started to include the students with special needs into the class. Before these students weren’t really involved at all with the main class and just wondered around the gym doing their own thing. This week, when picking teams, the teachers went out of their way to make sure that these students were picked and had a chance to participate with their classmates. As for the students, this has never been a problem as the class has always shown concern and respect for these students and tried to involved them. Now we have the adults doing it and that’s a big difference.
Thursday, April 2, 2009
Chandra Ely (CI 515) --- Notetaking, Graphic Organizers, Journals, and more...
Tomorrow we're going to do 2 activities, one is a graphic organizer and the other is a problem solving technique and then we'll discuss it and then I'll ask them some questions and have them go to the side of the room that corresponds with whether they agree or disagree and then we'll talk about why the decided to go where they did. With the graphic organizer I'm going to give them as cause of war and they have to brainstorm the effects. It gets them to think critically while also allowing them to be somewhat creative and stay on task.
When we finish those activities we will start on WWI. I also have a power point and note taking guide for that. However, that power point will be done in sections with actitivites in between. One of the activities will be a partner activity. The students will be asked to write journal entries as if they were in WWI, similar to the "Oregon Trail" activity that was posted by another CI 415/515 student early on. I took the idea that was used for a WV activity and made it relevant to WWI. They get to be creative, while using facts and information from stuff that they've learned. At the end of the WWI section the partner groups will pick the entry that they think is their best and present it to the class. I think it will be a really fun activity to do. We will be doing various other activities on WWI before going on to WWII and the Cold War.
Monday, March 30, 2009
Wes Neal Entry #2: Cooperative Learning
Questions, Participation, and Strategy. Ch. 10 Marzano
Sunday, March 29, 2009
Zack Frame - Post #2 - Cooperative Learning
In my first period acting class, we are finishing up making plaster character masks. I am having the students work in small groups of two. By putting the students in small groups (or just pairs), they can discuss what it is that they want to do when making their masks (FYI-the students were using James and the Giant Peach for the selection of characters for their masks. Students were going to use characterizations in order to develop the mask of their character, and hopefully, display characteristics of the character’s personality through their masks). The groups seem to work well, and the kids seem to really enjoy the activity.
In my second period acting class, we are building the set for James and the Giant Peach. (In case you didn’t pick up on it, James and the Giant Peach is the play that students are working on now). I am teaching the students how to build platforms to enhance the design of their set. However, I can only work with so many students at a time because the students are limited on the materials that they have. (for example, there are only two working drills—this means that only two students can drill at any one time. So in groups: I have two students to drill, two students to keep the two by fours square, and two students to hold the structure in place while it is drilled.) Unfortunately, the groups are in about eight. So I have students who aren’t exactly busy—but I try to find them things to do, or get them more involved the next day.
I’m a firm believer that cooperative learning is very important in theatre. I agree when Marzanos says that cooperative learning can be used in many different situations. I am convinced that this strategy was developed with the theatre education in mind! :-)
Zack Frame - Post #1 - Providing Feedback Early and Often
Okay, as it turns out, I’m a little behind on my blog posts. It wouldn’t have been so bad, but my very first post for my clinical experience (day one), I posted it in WebCT—not exactly what I was suppose to do. Then, unfortunately, I never really got around to making my blog posts. So here I am!
Honestly, I didn’t spend a lot of time observing when I first began by clinical—at least not in my second period class. My first period acting class is an introductory acting class. When I arrived the first period class was working on monologues (finding them on the Internet, working with classmates) to get ready to perform for grade. It wouldn’t have made a lot of sense for me to pop in and do much with this class because they were already involved with what they were doing.
But it wasn’t until my second period acting class that I was able to really utilize Marzano’s strategy for providing feedback early and often. When directing a play, you have to provide feedback about what is happening onstage almost immediately. The beautiful thing is, that in the theatre—and when directing—the feedback doesn’t necessarily have to be an oral critique. If the performers do something funny, and you laugh, that provides the performers with an instantaneous feedback. And since Marzano suggests that providing students with feedback early and often is a good thing, then giving students or performers instantaneous feedback, is also a good thing.
I used this strategy for an entire week while I helped the students prepare for their competition piece that they would be performing the following weekend. Students would do a scene, I would stop them, tell them to change some things, let them do the scene again, stop them again, more changes, more acting, more feedback, more changes, more feedback, well, you get the idea. This went on for about a week. Towards the end of the week I would allow the students to run through their entire competition show while I took notes. The feedback given was not quite as immediate as is when directing, but once the students finished their run through, I had them all sit on the apron of the stage, and then delivered a detailed oral critique that they would be able to use to make their performance better. When performing on stage, and teaching theatre classes, Marzano’s strategy of providing feedback early and often is of utmost importance!