Thursday, April 30, 2009
amanda conrad post 4
amanda conrad post 3
amanda conrad post 2
amanda conrad post 1
Okay so I walk into the classroom and sit down for some observation, and the teacher tells me that they will be taking notes today. Immediately the kids start asking how many pages it will be and the teacher assures them that it is short. Anyway, they all get out their notebooks and she simply turns on the overhead and puts a one page typed paper up and tells the kids to start copying! That’s it! Then she went to her desk and started doing something on the computer. Now, tell me if I’m crazy but is that not the worst possible way you can make your students take notes? I wanted to shove Marzano in her hands and make her read it, or tell her how I would like to do things. She gave no instruction, no explanation, no anything…just put the paper up and said start copying. Hopefully I can try to be a little more engaging when I have the students take notes, and hopefully I can teach them a little bit on how to properly take notes. Maybe the teacher will learn something from me?! Who knows…wish me luck!
Monday, April 27, 2009
Setting Objectives and Providing Feedback
April 1, 2009 Summarizing and Note Taking
Blog 4
I always hate getting back and paper that is covered in red ink with every single, possible mistake pointed out. When I graded my students' papers, there were times where I do beleive I was too easy on them. However, I was did not know beyond a shadow of a doubt the level they were being held to prior to me being their teach for just a few weeks. One thing I always made sure that I did was write something possitive on every single paper. Even if something was wrong, I was sure to word what I wrote in such a way as to not be negative. Another thing that I did to make it so my feedback would be positive was to not use a red pen. I bought a green one:) Red is associated with so much negative. It does stick out and you can see what you write and the studetns can too, however there are alot of colors out there that stick out just as well as red. Marzano points out it is important to provide effective feedback when improvement is shown. This is something else I tried to do. Even though I was only playing teacher for a relatively short time, I was still able to see improvement in some of the students' work. I was able to recognize when more effort was shown on an assignment than on a previous assignment.
The overall theme that I tried to stick to was making sure the majority of the feedback I provided was positive. If students begin to associate negative things with my class I feel as though I am losing the battle. Research shows that social studies classes in general are some of the classes students love to hate. If the feedback we give to students is affective, which it all should and could be, then what could possibly happen when much of the affective feedback we give is negative? If I am providing a student with affective feedback which is negative and that student is already struggling then it is my beleif that that student could continue to struggle as a result.
Everything is not roses and daises and every student assignment is not amazing. Incorrect answers need to me marked wrong and incorrect statements, grammer, etc. should be corrected in a paper. The point I am trying to make is that we should focus on positive feedback as opposed to feedback which could have an adverse effect.
Wes Neal Post #4: Cues and Questions
Blog 3
I always tried to make the material as relevent to the students as possible. If we as teachers can find ways to make students care about the inside of a cell, what an adverb is, the elements of literature, or what the main parts of the policy of Containment were during the Cold War were, we can affect their level of effort. Regardless of content area, if you can make students relate to and like the material, they will be more likely to try and put forth effort. This is the say that we should never, ever teach for knowledge or facts' sake. We should always try our hardest to make sure there is a reason for learning what they are learning.
In a history class I can do this by simply relating material from the past to the present. That is what I attempted to do in one of my lessons. I related the fear and paranioa of the Cold War to the same feelings of today and our recent past as Americans. THere were things I could and probably should have done differently in the lesson, however for the most part it was a success. Studetns were engaged and interested and participated in debates and discussions. It helped give them a reason to care about what happened in the past.
Another thing mentioned in Marzano is that we make sure we make a distinction between acedemic outcomes when little effort is put forth and when a lot of effort is put forth by students. I planned a review game the day before my unit test. I told the students that it would be smart to get out a peice of paper and write down what the questions I ask in the game are becuase they may not be the only things on the test, however, if i took the time to include them in the game, the are important. In the first class I played the game in, the students were on task and wrote down nearly everything I said and their test scores were higher than the second class I played the game with. In the second class some students did not pay attention as much and were talking and wrote much less down on their paper. They did not put forth the effort the first class did and their test results showed it. I did not belittle them at all for this. I simply pointed out that the ones that wrote down the material covered in the game and put forth that effort, did generally better than those that did not. I congratulated those students who did put forth the time and effort as well.
Wes Neal Post # 3: Providing Feedback.
Sunday, April 26, 2009
Blog 4
In thinking of what to write about for my last blog, I began looking through my notes I kept during the entire clinical process. It was my intent with all my lessons designed for my clinical placement, to incorporate aspects of every strategy we discussed throughout the Marzano text. I figured I would briefly explain with a few examples, how I used each strategy.
Identifying Similarities and Differences – Chapter 2
I incorporated a written critique as the culmination of my entire unit, consisting of questions which continually called upon students to explain how all three of their projects related and how they differed. It was important for students to see that each of their projects stemmed from ideas of artistic inspiration or influence.
Summarizing and Note Taking – Chapter 3
With the introduction to two of the three projects, students took part in a PowerPoint presentation. They were given paper copy summaries of each and were asked to jot down important facts as we went along. At first, I was unsure if this was too much (especially considering they probably weren’t used to such tactics in an art class), but it actually worked quite well and students did comply.
I also used summarization in the final written critique, considering student had to explain how they created each project, step by step – as well as describe their ‘motivation’ or basis for their assignment.
Reinforcing Effort and Providing Recognition – Chapter 4
I feel I best addressed this strategy by continually circulating the room and adding input while the students were working. I would sometimes cue them in if they were beginning to go in the wrong direction, but always reward them with praise for working and staying focused. If I felt a student was doing well and creating above and beyond, I would hold up their work and describe how they were using tools effectively to the entire class.
Homework and Practice – Chapter 5
As for homework, the only assignment students actually were required to take home and finish was their critique if not finished in class. Not surprisingly, those who had to take them home did not complete – more than likely because they forgot (as they are not used to having homework in Related Arts). No excuse, as I preached the day before, but nonetheless, not successful.
In terms of practice, when introducing a new technique, students always had the opportunity to test their skills before beginning on their actual project. Through the use of worksheets, thumbnails and scratch paper, students were able to become familiar with the process before putting their knowledge to work.
Nonlinguistic Representations – Chapter 6
With each overarching project, I brought in numerous student created examples similar to the work they were going to be creating. I also demonstrated techniques, used posters, diagrams and handouts. Specifically, when students were creating large-scale butterfly wings, I brought in actual butterfly wings I had collected over time and magnifying glasses. As mentioned above, in chapter 3, I gave students handouts with images so that students could add their own words to explain what we discussed.
Cooperative Learning – Chapter 7
Again, with the Magnifying Life butterfly wings, students were required to work in pairs to create symmetrical butterfly wings – therefore the process was as much about completing an aesthetically pleasing finished product as it was about working together well and making choices in agreement. In the first project Lending An Ear, students used watercolors – and they could choose if they wanted to create with warm or cool colors. By making this decision, students were segregated and worked in the subsequent groups. They then did everything else throughout the assignment together and under that label (i.e. complete worksheets, etc.) Students knew if they needed anything, to first ask those in their ‘group.’
Setting Objectives and Providing Feedback – Chapter 8
Students completed exit slips every other day and began to pick up on the practice. They knew on the “off” days, that we would discuss their responses. I feel that this was an innovative way to practice using feedback. As mentioned above, I would also frequently circulate the room and input my professional opinion. Students knew what was expected of them, though I suppose I could have either written those expectations on the board or distribute the rubric ahead of time.
Cues, Questions, and Advance Organizers – Chapter 10
Students received prompts either by means of a bellringer or Exit Slip daily. They also made use of graphic organizers and worksheets throughout each lesson. Also, through the written response and critique at the end of the unit, they made use of critical thinking skills by answering various open-ended questions.
I feel I was successful for the most part, at incorporating these strategies, techniques and practices. The only one I left out was Generating and Testing Hypotheses, which I could have incorporated though we hadn’t discussed by the time I concluded my placement. Excitingly though, Marzano included an example from an art class, where students predict what happens when you mix certain colors – so I feel it can be done!
Overall, I enjoyed my placement – it was only a drudgery in terms of the time it sucked up out of my already busy life! I can’t wait to have my own classroom where IT is my sole focus!
Jordan
Zack Frame - Post #4 - Cues & Questioning
First of all, the first period theatre class appeared to be the most disengaged group of students I have ever worked with—well, at least in a theatre classroom. We were beginning to discuss play analysis—and of course, as I mentioned, I enjoy teaching through class discussion. As it turns out, class discussion does not work if students are not engaged. I asked them a very broad question trying to get the ball rolling. I received blank stares all the way across the classroom. I explain to them that for class discussion to work they have to open their mouths, allow sounds to come out to form coherent sentences. This got a few laughs, but it really didn’t do anything as far as making them talk more.
I figured my question was too broad, and students were afraid to answer for fear of being incorrect, so I tried using some cues to get them thinking about where I wanted them to go with this question. At this point, I was able to get a few more students involved with the class discussion. Then I notice many of the same people were getting into the conversation—so I would ask other students (quiet ones; not contributing much to the discussion) a specific question that pertained to what we were talking about.
Basically, through Marzano‘s strategy of cues and questioning, I have found that this strategy is easier to use and students are willing to participate. While I believe this particular type of strategy feeds best into my classroom philosophy (the fact that learning is a three way process, student: teacher, teacher: student, student: student), I believe that for this strategy to work I need to give students more incentive to participate. Maybe if I accompanied the discussion with some sort of visual aid (or non linguistic representation—maybe even an advance organizer), students would have been more interested in participating, thus, making the lesson go more desirably.
Zack Frame - Post #3 - Nonlinguistic Representations and Advance Organizers
The point of this activity is to help students learn the importance of script analysis and character analysis. By asking students the types of questions on their handout (or non linguistic representation), students are able to see the importance of script and character analysis through the making of their plaster masks. This strategy is especially important when we are giving students a baseline from which to work for the rest of the unit. Students can jot down their initial ideas and refer to them as they move along in the unit—all the while changing things up… getting rid of bad ideas coming up with a new and better ideas.
Here’s where the idea of advance organizers also plays a role! By giving the students this handout prior to teaching the unit, I’m giving students an advance opportunity before the lecture to give them an idea of what we will be covering in this unit. Much like essential questions, it allows them to begin with the goal in mind, allows them to pre-organize their thoughts, and as mentioned previously, gives them a baseline of where the unit is going to go from there.
My experience with this unit was pretty positive; I believe the strategies that are used in the classroom for this unit worked well with the students and the students reacted well to the strategies. I felt like the students were actually getting an idea of what character analysis is—which was the point of the entire unit. The only thing that I would have done differently, is I would have created a rubric to offer more structure to the assignment. My assessment of their character mask was not very good because of a lack of structure. If or when I teach this lesson again, I will be sure to have created the rubric to give students a goal to work for when developing their character masks. Go graphic organizers!
Blog #4 Cooperative Learning
Blog #4
I have gotten so much out of this class. It has been challenging but, so much fun. I had a wonderful clinical experience so incorporating the strategies was easy. I think I have grown as a teacher from my first day until now. I also know that I will incoroporate these strategies throughout my teaching career. Backward design makes sense to me. To have a goal and then outline the steps to get there is not only a way to teach, but it's a way to live your life. As a teacher, I hope that I can pass along not only content material but also life lessons. I said in one of the reading relflections that once we change the way we think about teaching we can change the way students think about learning. When you look at the big picture, UbD makes sense. I have other lesson plan formats but, I think this one will be the format I choose. Starting with the goal and then planning how to get there works for me. The class has been awesome. Good luck to everyone in their future teaching experiences.